SwePub
Sök i LIBRIS databas

  Utökad sökning

onr:"swepub:oai:DiVA.org:umu-221717"
 

Sökning: onr:"swepub:oai:DiVA.org:umu-221717" > Skuldkänslans brode...

Skuldkänslans broderskap : en bok om Peder Sjögrens romaner

Tyrberg, Anders (författare)
Umeå universitet
 (creator_code:org_t)
ISBN 9172030925
Stockholm : Carlsson Bokförlag, 1996
Svenska 361 s.
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)
Abstract Ämnesord
Stäng  
  • This doctoral thesis deals with Peder Sjogren’s (1905-1966) seven novels. By means of modern narratological instruments and with the emphasis laid on the thematic functions of the narrators, a central theme in Sjogren’s writing is uncovered. In all of Sjogren’s works the characters are tied together in a sense of guilt that is so strong that the ”fellowship” goes to the point of identification. Sjögren explores this theme by experimenting with different narrative techniques and by using a language with religious connotations.The narrators in Sjogren’s novels are engaged in existential projects; their functions are self-explorative, confessional and accusatory rather than communicative. In the analyses, analogies between Freudian psychoanalysis and the narrative situations in Sjogren’s novels are pointed out. The self-reflexive mirror is a prevalent metaphor in Sjogren’s writing, descriptive not only of the general structure of the novels but also of the ambivalent relationship between the characters. The metaphor of the mirror is interpreted both as a symbol of narcissistic escapism and of inevitable interdependence, a complicated relationship between a self-destructive tormentor and a godlike, aggressive and powerful victim.Intertextual links are established with texts by writers who were influential on the literary scene in the 1940s, especially Stig Dagerman and Jean Paul Sartre. The religious language and the Christian metaphors are interpreted in an existentialist and a phenomenological context.In a post-communicative reflection on the theme of the brotherhood of guilt, the thesis shows how Sjogren’s theme of guilt and identification invites a comparison with Emanuel Lévinas’s moral philosophy. In a final chapter striking similarities between the two writers are pointed out. Both writers find a structural analogy between the sacred encounter with the wounded face of the Other and the authentic encounter with death, and both writers interpret the moral responsibility for the Other as an obligation to beone’s brother’s keeper to the point of substitution.

Ämnesord

HUMANIORA  -- Språk och litteratur (hsv//swe)
HUMANITIES  -- Languages and Literature (hsv//eng)
HUMANIORA  -- Språk och litteratur -- Litteraturvetenskap (hsv//swe)
HUMANITIES  -- Languages and Literature -- General Literary Studies (hsv//eng)

Nyckelord

Swedish novels in the 1940s
narratology
focalization
narration
Peder Sjögren
guilt
face
look
existentialism
S. Freud
J.-P. Sartre
S. Dagerman
E. Levinas
Comparative Literature

Publikations- och innehållstyp

vet (ämneskategori)
dok (ämneskategori)

Hitta via bibliotek

Till lärosätets databas

Sök utanför SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Stäng

Kopiera och spara länken för att återkomma till aktuell vy