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choreo | graphy
choreo | graphy
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- Bauer, Eleanor (författare)
- Stockholms konstnärliga högskola,Institutionen för dans
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- Mapp, Juliet, Professor in Choreography (preses)
- Stockholms konstnärliga högskola,Forskningscentrum
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- Parkinson, Chrysa, Professor in Dance (preses)
- Stockholms konstnärliga högskola,Institutionen för dans
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- Hargreaves, Martin, Director of Research and Postgraduate Courses (opponent)
- London Contemporary Dance School
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(creator_code:org_t)
- ISBN 9789188407313
- Stockholm : Stockholms konstnärliga högskola, 2022
- Engelska.
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Serie: X Position, 2002-603X ; 19
- Relaterad länk:
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https://www.research...
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http://urn.kb.se/res...
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva...
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva... (primary) (Raw object)
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https://urn.kb.se/re...
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Abstract
Ämnesord
Stäng
- The doctoral project choreo | graphy is an inquiry into the relationship between thinking through dance and thinking through written language, taking the notion of choreography literally as dancing-writing. Respecting that different media afford different thought processes, ideas, and concepts to be reached, this practice-based artistic research project has unfolded within artistic processes and experiments to explore and develop the relationship between dancing-thinking and writing-thinking. Investigating the media-specificity of thought in dancing together (khoreia) as it relates to the media-specificity of thought in writing (graphia), this project experiments with their relation in a way that serves both art forms and respects their differences, while challenging historical hierarchies between embodied sense-experience and the written word. Cycling through three areas of inquiry, the project asks 1. how dance thinks, 2. how dance writes, and 3. how a (re)considered relationship between dancing and writing might inform choreographic practice. Following these three areas of inquiry, the project’s contributions to artistic research are summarized as follows: articulating what is particular to dance-thought (how dance thinks), practicing and devising procedures for dancing-writing (how dance writes), and pursuing forms of exposition which invite observers to think with and through dance by applying the aforementioned insights to artistic creation (choreo | graphic outcomes). The separation of the word choreography into choreo | graphy signals the project’s intention to open space for consideration and reinvention of the poetics of choreographic practice and discourse.
Ämnesord
- HUMANIORA -- Konst (hsv//swe)
- HUMANITIES -- Arts (hsv//eng)
- HUMANIORA -- Konst -- Scenkonst (hsv//swe)
- HUMANITIES -- Arts -- Performing Arts (hsv//eng)
Nyckelord
- dance
- choreography
- writing
- dancing-thinking
- dancing-writing
- media specificity
- artistic research
- enactive cognition
- aesthetic thought
- sensual journalism
- splace
- modybind
- Utbildning på forskarnivå i performativa och mediala praktiker
- Third-Cycle Studies in Performative and Mediated Practices
Publikations- och innehållstyp
- vet (ämneskategori)
- kfu (ämneskategori)
- dok (ämneskategori)
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