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- Ulfsdotter, Boel, 1959 (författare)
- Gothenburg University,Göteborgs universitet,Institutionen för kulturvetenskaper,Department of Cultural Sciences
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(creator_code:org_t)
- Intellect, 2015
- 2015
- Engelska.
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Ingår i: Journal of Scandinavian Cinema. - : Intellect. - 2042-7891 .- 2042-7905. ; 5:3, s. 259-270
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Abstract
Ämnesord
Stäng
- This article discusses the various narrative, performative and cinematic strategies of Swedish comedy team Hans Alfredson and Tage Danielsson (aka Hasse&Tage) as they moved from stage to screen through an analysis of their second film, Att angöra en brygga/Docking the Boat (Danielsson, 1965). The theoretical point of departure is the question of the relationship between classical narrative structure and plots based on a series of gags. Through a combination of formal analysis of film style and mise-en-scène in select film sequences and a general discussion of popu- lar cultural references, gags, acting style and visual framing, the article reveals that gags in the film usually serve a narrative purpose. The sophisticated appropriation of central themes representative of New Wave aesthetics demonstrates that Docking the Boat is only partially derivative of Hasse&Tage’s ventures as stage comedians. The article concludes with a suggestion that previous experiences from a variety of media platforms had a strong impact on their ability to develop a unique and highly cinematic visual and intellectually sophisticated film style.
Ämnesord
- HUMANIORA -- Konst -- Filmvetenskap (hsv//swe)
- HUMANITIES -- Arts -- Studies on Film (hsv//eng)
Nyckelord
- Hans Alfredson Tage Danielsson Hasse&Tage Sweden New Wave cinema film comedy narrative structure gags
Publikations- och innehållstyp
- ref (ämneskategori)
- art (ämneskategori)
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Till lärosätets databas
- Wikipedia om författaren:
- Boel_Ulfsdotter
- Ulfsdotter, Boel,1959
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