Voice source differences between registers in female musical theater singers

• Musical theater singing typically requires women to use two vocal registers. Our investigation considered voice source and subglottal pressure P-s characteristics of the speech pressure signal recorded for a sequence of /pae/ syllables sung at constant pitch and decreasing vocal loudness in each register by seven female musical theater singers. Ten equally spaced P-s values were selected, and the relationships between P-s and several parameters were examined; closed-quotient (Q(closed)), peak-to-peak pulse amplitude (Up-t-p), amplitude of the negative peak of the differentiated flow glottogram. ie, the maximum flow declination rate (MFDR), and the normalized amplitude quotient (NAQ) [Up-t-p/(TO*MFDR)], where TO is the fundamental period. P, was typically slightly higher in chest than in head register. As P, influences the measured glottogram parameters, these were also compared at an approximately identical P-s of 11 cm H2O. Results showed that for typical tokens, MFDR and Q(closed) were significantly greater, whereas Up-t-p and therefore NAQ were significantly lower in chest than in head.

Ämnesord

MEDICIN OCH HÄLSOVETENSKAP  -- Klinisk medicin -- Oto-rhino-laryngologi (hsv//swe)

MEDICAL AND HEALTH SCIENCES  -- Clinical Medicine -- Otorhinolaryngology (hsv//eng)

Nyckelord

voice source

subglottal pressure

flow glottogram

normalized amplitude quotient

female singers

musical theater singing

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