Modernism as institution : on the establishment of an aesthetic and historiographic paradigm

• Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism.

Ämnesord

HUMANIORA  -- Konst -- Konstvetenskap (hsv//swe)

HUMANITIES  -- Arts -- Art History (hsv//eng)

Nyckelord

Aesthetics

Modernism (Art)

Historiography

konstvetenskap

Art History

Publikations- och innehållstyp

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