Mobilising participation in the work of art: Sound Machine by Esther Shalev-Gerz

Mobilising participation in the work of art : Sound Machine by Esther Shalev-Gerz

The chapter by Swedish writers Bodil Axelsson and Karin Becker analyses Sound Machine, a collaborative contemporary art project that was developed integrally with university activities in research and teaching. This interface opened up the rare possibility of participant research into the work processes of a well-known European collaborative artist, Esther Shalev-Gerz. The researchers trace different modes of engagement with participating non-artist subjects - such as the women who provide 'cultural memory' of earlier forms of work and engagement with technology - as well as other forms of participation essential for Sound Machine's conceptual, technical and institutional development.

Becker, Karin,1946-Stockholms universitet,Institutionen för journalistik, medier och kommunikation (JMK)(Swepub:su)becke (författare)
Linköping UniversityInstitutionen för journalistik, medier och kommunikation (JMK) (creator_code:org_t)

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