SwePub
Sök i LIBRIS databas

  Utökad sökning

L4X0:0346 6272
 

Sökning: L4X0:0346 6272 > (1990-1999) > Searing apparent su...

Searing apparent surfaces : infernal females in four early works of William Blake

Drake, Dee (författare)
Stockholms universitet,Engelska institutionen
Ostriker, Alicia, Professor (opponent)
Princeton University, Princeton
 (creator_code:org_t)
ISBN 9122018565
Stockholm : Almqvist & Wiksell International, 1999
Engelska 178 s.
Serie: Stockholm studies in English, 0346-6272 ; 90
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)
Abstract Ämnesord
Stäng  
  • This study explores the quality of the infernal as a specifically female expression of desire in William Blake's work. The contention is that the infernal constitutes an essential female element of the divine in Blake's early work but is demonized in the late work as an attribute of the Female Will. The devalorization of the infernal in relation to female desire has not previously been addressed by Blake critics. Therefore I initiate a critical dialogue with my mythological study of three female figures in the early work, each of whom displays infernal characteristics.Although Blake's illuminated books are unique inasmuch as they comprise a composite art with their intricate interplay of verbal and visual texts, most Blake critics focus primarily on the poems. I privilege the designs as a deliberate strategy of overcompensation for this literary bias. My exploration of "the infernal method" described in The Marriage of Heaven and Hell focuses on three particular designs that pictorialize the method's infernal quality in the form of a fiery female. I propose degrees of female desire on an infernal scale (the more restrained the desire, the less infernal the female) which are then examined in readings of The Book of Thel, Visions of the Daughters of Albion, and the color print Hecate. Beginning with Hecate as the most infernal of the three female figures, this study explores her mythological complexities as Goddess of the Limen, of the Dark Moon, and of the Underworld. Using the title page designs of Thel and Visions as points of departure, I demonstrate how the pictorial images work to lay bare the tangle of mythological roots underlying the poetic narratives that follow. Such roots provide perspectives from which to understand Thel's defiance of a system of female subordination to the male that Oothoon (protagonist of Visions) willingly embraces.

Ämnesord

HUMANIORA  -- Språk och litteratur -- Studier av enskilda språk (hsv//swe)
HUMANITIES  -- Languages and Literature -- Specific Languages (hsv//eng)

Nyckelord

English language
Engelska språket
English
engelska

Publikations- och innehållstyp

vet (ämneskategori)
dok (ämneskategori)

Hitta via bibliotek

Till lärosätets databas

Sök utanför SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Stäng

Kopiera och spara länken för att återkomma till aktuell vy