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Sökning: AMNE:(HUMANITIES Languages and Literature Specific Literatures) > (2020-2024) > Poeter versus skåde...

Poeter versus skådespelare i Dagens dikt 2020–2021

Svensson, Jimmie, 1978- (författare)
Gothenburg University,Göteborgs universitet,Umeå universitet,Institutionen för kultur- och medievetenskaper,Institutionen för litteratur, idéhistoria och religion,Department of Literature, History of Ideas, and Religion
 (creator_code:org_t)
Föreningen för utgivandet av Tidskrift för litteraturvetenskap, 2022
2022
Svenska.
Ingår i: Tidskrift för litteraturvetenskap. - : Föreningen för utgivandet av Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 52:2-3, s. 108-125
  • Tidskriftsartikel (refereegranskat)
Abstract Ämnesord
Stäng  
  • "Poets versus Actors Reading Poetry on Swedish Radio 2020–2021"Following the rise of the poet as the principal performer of his or her own work, in the second half of the 20th century, actors have been criticized for performing poetry as if acting on stage, or for focusing too much on conveying the lyric I. This primarily quantitative study investigates what prosodic differences there are between poets and actors reading poetry. The material consists of 276 readings from the Swedish public radio program Dagens dikt (The Daily Poem), from 2020 and 2021. A set of prosodic measures are produced for each recording with computational aid, and the groups are compared by using descriptive statistics. The differences found in terms of tempo and pausal patterns, though small, suggest that the actors read in a conventionally poetic, expressive style, while the poets are closer to a style typical of prose reading and conversational speech; this might be connected to differences between their respective repertoire – the poets reading newer, longer, and possibly more narrative texts. When it comes to pitch, there are more substantial differences: the poets are more monotonous and their tonal patterns more predictable, indicating a formal, less expressive style. These traits are associated with the highly stylized vocal cliché Poet Voice, which in turn is connected to poetological shifts in the last few decades. In both groups, however, younger individuals (born 1970 or later) and women, respectively, are the more monotonous and predictable; this might suggest a sociolinguistic trend not limited to poetry. Qualitative, close listening to a selection of readings largely confirms the findings of the quantitative investigation. While the frequently idiosyncratic poets tend to highlight form, such as rhythm and tonal repetitions, the actors rather try to convey the content of the poem, in accordance with prosodical and performative conventions.

Ämnesord

HUMANIORA  -- Språk och litteratur (hsv//swe)
HUMANITIES  -- Languages and Literature (hsv//eng)
HUMANIORA  -- Språk och litteratur -- Litteraturstudier (hsv//swe)
HUMANITIES  -- Languages and Literature -- Specific Literatures (hsv//eng)
HUMANIORA  -- Språk och litteratur -- Studier av enskilda språk (hsv//swe)
HUMANITIES  -- Languages and Literature -- Specific Languages (hsv//eng)

Nyckelord

distant listening
oral reading
poetry performance
prosody
Swedish poetry
Literature
litteraturvetenskap
distant listening
oral reading
poetry performance
prosody
Swedish poetry

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