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Hope for the Future

Robitaille, Marie-Andree, 1974- (author)
Stockholms konstnärliga högskola,Institutionen för cirkus
 (creator_code:org_t)
Köln : Overhead Project, 2022
2022
English.
In: Voices ein Magazine des CircusDanceFestival. - Köln : Overhead Project. ; 3, s. 26-35
  • Journal article (peer-reviewed)
Abstract Subject headings
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  • Amidst the fourth industrial revolution, the sixth mass extinction, global warming, and a world pandemic, humans face an increasing amount of complex and challenging crises on planet Earth. Over the years 2020 and 2021, the performing arts sector has been paralyzed and now in 2022 we are oscillating between coming back to normal and moving to a new normal. Our modes of creation, production, and dissemination have been disrupted. On a larger eco-socio-political scale, during the pandemic, the impacts of human activities on Earth seem to have been made more distinctly visible, inviting us to ask: what does it mean to be human today? More specifically, however, the Covid-19 pandemic is forcing circus artists to revise how we work and think about circus arts. What does it mean to be a circus artist today? How can circus arts remain relevant? And what connections might circus arts have with the wider question of human involvement in the world?

Subject headings

HUMANIORA  -- Konst -- Scenkonst (hsv//swe)
HUMANITIES  -- Arts -- Performing Arts (hsv//eng)

Keyword

circus
circus arts
contemporary circus
circus research
artistic research
composition
new materialism
posthumanism
posthuman ethics
hope
Artistic Practices
Artistic Practices

Publication and Content Type

ref (subject category)
art (subject category)
kfu (subject category)

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Robitaille, Mari ...
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Stockholm University of the Arts

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