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’’... is it hunger or superabundance that has here become creative?’’ : Nietzsche on Creativity in Art and Life

Carlsson, Anna-Lena, 1964- (author)
Uppsala universitet,Filosofiska institutionen
Åhlberg, Lars-Olof (thesis advisor)
Entzenberg, Claes (thesis advisor)
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Boe-Rygg, Arnfinn, Professor (opponent)
Institutt for musikk og teater, Oslo
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 (creator_code:org_t)
Uppsala : Filosofiska institutionen, 2004
English 258 s.
  • Doctoral thesis (other academic/artistic)
Abstract Subject headings
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  • Art and the artistic are concepts Friedrich Nietzsche uses in a narrow sense regarding works of art and in a broader sense concerning our lives. He thereby attempts to vitalise the philosophical theme that links life and art. In this dissertation, I suggest that he distinguishes between life-negation and life-affirmation, concerning both the narrow and broader sense of art and the artistic. I firstly approach life-negation and life-affirmation in Nietzsche’s images of life. This part is arranged chronologically and its aim is to present a theme of life-negation and life-affirmation in Nietzsche’s writings and to acknowledge some changes that occur during his production. I consider the Apollonian, the Dionysian and the Socratic type of life and creativity and compare the metaphysical life-affirmation in The Birth of Tragedy with the will to life in Arthur Schopenhauer’s work. I also turn to later images related to life-negation and life-affirmation without the metaphysical perspective from his early thought, for example, the free and the fettered spirit. I moreover address the physiological will to power in Nietzsche’s later writings, in relation to the question of metaphysics and art. I secondly analyse Nietzsche’s notion of art and the artistic in a narrow and a broader sense in association with the theme of a two-fold type of life. This part is arranged thematically and I focus on Nietzsche’s later thought. His emphasis on the perspective of production is demarcated from the aesthetic paradigm that emphasises the reception of art. I then consider Nietzsche’s writings on works of art and the broader sense of art in association with life-negation and life-affirmation. Finally, I compare Nietzsche’s life-affirming type of existence with some contemporary views on the aestheticization of our lives. I suggest that the life-affirming artistic type of being differs in some significant senses from the proposed contemporary aestheticization processes.

Subject headings

HUMANIORA  -- Annan humaniora -- Övrig annan humaniora (hsv//swe)
HUMANITIES  -- Other Humanities -- Other Humanities not elsewhere specified (hsv//eng)

Keyword

Aesthetics
Nietzsche
Aesthetics
Art
the Artistic
Aestheticism
Aestheticization
Creativity
Life
Schopenhauer
Shusterman
Welsch
Estetik
Aesthetics
Estetik
Aesthetics
estetik

Publication and Content Type

vet (subject category)
dok (subject category)

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