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Search: (WFRF:(Cariboni Killander Carla)) > (2010-2014) > A New Look on Ekphr...

A New Look on Ekphrasis : an Eye-tracking Experiment on a Cinematic Example

Cariboni Killander, Carla (author)
Lund University,Lunds universitet,Franska,Avdelningen för franska, rumänska och italienska,Sektion 3,Språk- och litteraturcentrum,Institutioner,Humanistiska och teologiska fakulteterna,Italienska,Avdelningen för franska, rumänska och italienska,French Studies,Division of French Studies, Italian Studies, and Romanian Studies,Section 3,Centre for Languages and Literature,Departments,Joint Faculties of Humanities and Theology,Italian Studies,Division of French Studies, Italian Studies, and Romanian Studies,Lund University, Sweden
Lutas, Liviu (author)
Linnéuniversitetet,Lund University,Lunds universitet,Franska,Avdelningen för franska, rumänska och italienska,Sektion 3,Språk- och litteraturcentrum,Institutioner,Humanistiska och teologiska fakulteterna,French Studies,Division of French Studies, Italian Studies, and Romanian Studies,Section 3,Centre for Languages and Literature,Departments,Joint Faculties of Humanities and Theology,Institutionen för språk (SPR),LNUC Intermedial and multimodal studies, IMS
Strukelj, Alexander (author)
Lund University,Lunds universitet,Humanistlaboratoriet,Fakultetsgemensamma verksamheter,Humanistiska och teologiska fakulteterna,Engelska,Avdelningen för engelska,Sektion 4,Språk- och litteraturcentrum,Institutioner,Lund University Humanities Lab,Units,Joint Faculties of Humanities and Theology,English Studies,Division of English Studies,Section 4,Centre for Languages and Literature,Departments,Lund University, Sweden
 (creator_code:org_t)
Universitatea Babes-Bolyai, 2014
2014
English.
In: Ekphrasis. Images, Cinema, Theatre. Media. - : Universitatea Babes-Bolyai. - 2067-631X. ; 12:2, s. 10-31
  • Journal article (peer-reviewed)
Abstract Subject headings
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  • Taking the modern definition of ekphrasis as a verbal representation of a work of art as a starting point, we try to broaden it in this contribution. We agree with intermediality theorist Lars Elleström that ekphrasis falls into the category of “media representation”, defined as the representation of a source medium in a target medium. We argue that the target medium does not need to be a verbal one and what matters is the energeia, the vividness of the description, leading in turn to enargeia, a vivid image in the mind of the receiver. The energeia-enargeia relation is an aspect that is often neglected in modern theoretical debates about ekphrasis. We believe that there cannot be ekphrasis without a description making the receiver “see” the object with his/her inner eye. At the same time, following Seymour Chatman and Werner Wolf, we argue that description is not a prerogative of the verbal medium and that even the cinematic medium can describe, using different strategies. In the second part of this contribution, these hypotheses are tested empirically with the help of the eye-tracking technique. A short sequence of Christian Petzold’s film Barbara (2012), which constitutes an example of cinematic ekphrasis, is shown to thirty-three participants. The evidence gathered from the recording of their eye-movements confirms the relevance of the energeia-enargeia relation: the eye activity increases at some particular points of the sequence, points corresponding to the descriptive activity of the camera. Ekphrasis is thus a kind of embodied experience.

Subject headings

HUMANIORA  -- Språk och litteratur (hsv//swe)
HUMANITIES  -- Languages and Literature (hsv//eng)
HUMANIORA  -- Konst -- Filmvetenskap (hsv//swe)
HUMANITIES  -- Arts -- Studies on Film (hsv//eng)

Keyword

Ekphrasis
enargeia
cinema
Barbara
media representation
intermediality
description
Ekphrasis
Film Studies

Publication and Content Type

art (subject category)
ref (subject category)

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Linnaeus University

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