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Gösta Hellström and Interwar Avant-Garde Film Culture in Sweden
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- Andersson, Lars Gustaf (author)
- Lund University,Lunds universitet,Filmvetenskap,Avdelningen för filmvetenskap, teatervetenskap och författarskolan,Sektion 2,Språk- och litteraturcentrum,Institutioner,Humanistiska och teologiska fakulteterna,Film Studies,Division of Creative Writing Program, Film Studies, and Theatre Studies,Section 2,Centre for Languages and Literature,Departments,Joint Faculties of Humanities and Theology
- Hjartarson, Benedikt (editor)
- Kollnitz, Andrea (editor)
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- Stounbjerg, Per (editor)
- Ørum, Tania (editor)
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- (creator_code:org_t)
- BRILL, 2019
- 2019
- English 7 s.
- In: A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950. - : BRILL. - 1387-3008. - 9789004366794 - 9789004388291 ; 36, s. 664-670
- Book chapter (peer-reviewed)
Abstract
Subject headings
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- Gösta Hellström was a prolific film critic who introduced new film movements into Sweden during the 1920s and 1930s. He also had a short career as a film director, and is especially known for his experimental short Tango (1932). Hellström is a representative of the early cinephilia and of a modernism that was never to be fulfilled in Sweden, at least not in terms of coherent film production. In the essay Hellström and his work are discussed as part of an ephemeral or fragmentary avant-garde.
Subject headings
- HUMANIORA -- Konst -- Filmvetenskap (hsv//swe)
- HUMANITIES -- Arts -- Studies on Film (hsv//eng)
Keyword
- avant-gardefilm
- cinephilia
- experimental film
- Gösta Hellström
Publication and Content Type
- kap (subject category)
- ref (subject category)
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- HUMANITIES
- HUMANITIES
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