Same but different: composing for interactivity

Same but different : composing for interactivity

LIBRIS-ID:oai:researchportal.hkr.se/admin:publications/09724077-7c41-4635-b545-90860c9bf6f0
oai:researchportal.hkr.se/admin:publications/09724077-7c41-4635-b545-90860c9bf6f0URI

Based on experiences from practical design work, we try to show, what we believe, are the similarities and differences, between composing music for interactive media compared to linear music. In our view, much is the same, built on traditions that have been around for centuries within music and composition. The fact that the composer writes programming code is an essential difference. Instead of writing one linear work, he creates infinite numbers of potential musics that reveal themselves as answers to user interactions in many situations. Therefore, we have to broaden our perspectives. We have to put forward factors that earlier was implicit in the musical and music making situations, no matter if it was the concert hall, the church, or the club. When composing interactive music we have to consider the genre, the potential roles the listener might take, and the user experience in different situations.

Cappellen, BirgittaOslo School Of Architecture And Design,Oslo School of Architecture & Design (author)
Oslo School Of Architecture And DesignOslo School of Architecture & Design (creator_code:org_t)

https://researchportal.hkr.se/ws/files/41008274/FULLTEXT01.pdfFULLTEXT
oai:researchportal.hkr.se/admin:publications/09724077-7c41-4635-b545-90860c9bf6f0

About the subject

NATURAL SCIENCES: NATURAL SCIENCES; and Computer and Inf ...; and Computer Science ...

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.