Monsters I Love: On Multivocal Arts

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Monsters I Love : On Multivocal Arts

Nowitz, Alex, 1968- (författare): Stockholms konstnärliga högskola,Institutionen för opera

Hughes, Rolf, Professor (preses): Newcastle University, School of Architecture, Planning and Landscape

Sandell, Sten, Doctor of Philosophy In Fine Arts in Musical Performance and Interpretation (preses): University of Gothenburg

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Tone, Åse (opponent): Norwegian University of Science and Technology, Trondheim

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(creator_code:org_t)

Stockholm : Stockholms konstnärliga högskola, 2019
Engelska.

Relaterad länk:: https://www.research...; visa fler...; https://uniarts.diva...; https://urn.kb.se/re...; visa färre...

Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)

Abstract Ämnesord

Stäng

Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. Multivocality addresses various models of virtuosity, all of which are informed by a multi-faceted artistic knowledge, whether experimental or experiential, technical or technological, improvisational or compositional. Contemporary vocal performance practices are loaded by questions pertaining to detecting and solving technical issues that bridge the vocal terrains. Through a range of artistic practices—vocal, oral, bodily and technology-related—the research project unfolds what is conceived as a bountiful ‘vocal imaginary’. When voice and body meet technology-related practices that aim at the expansion of the vocal realm by using custom and gesture-controlled live electronics, a performance æsthetics of the in-between emerges. This is explored via the ‘strophonion’, formerly built at STEIM in Amsterdam and, during the course of the PhD, further developed by Berlin-based software programmer Sukandar Kartadinata who created an intricate configuration on the basis of the audio processing application Max/MSP. Through the formulation and performance of ‘The Manifesto for the Multivocal Voice’—a ‘discursive solo performance act’ that aims to provide insights into principles and premises, and to develop the discourse on the politics of today’s performance voice—the exposition attempts to establish a potential theoretical and philosophical grounding for multivocality. Meanwhile, its second major concern relates to the poetics of the voice, investigating the thresholds of highly individualised vocal practices by asking: what are the boundaries of and where is the performance voice today? The exposition (on Research Catalogue) comprises video and audio documentation of public live performances, lectures and artists’ talks as well as studio productions and rehearsals. The user is invited to study scores and varied texts, such as poems, extended programme notes, translations, performance instructions, comments and other reflections. But central is the collection of essays and articles guiding the user through the edifice of ideas that the artistic research project has unveiled.

Ämnesord

HUMANIORA -- Konst -- Musik (hsv//swe)
HUMANITIES -- Arts -- Music (hsv//eng)
HUMANIORA -- Konst -- Scenkonst (hsv//swe)
HUMANITIES -- Arts -- Performing Arts (hsv//eng)
HUMANIORA -- Konst -- Design (hsv//swe)
HUMANITIES -- Arts -- Design (hsv//eng)

Nyckelord

Music
acousmatic and disembodied voice
æsthetics of uncertainty and in-between
composer-performer
contemporary vocal performance art
custom musical instrument (DIY)
digital musical instrument (DMI)
electronic and electroacoustic music
expanding the field of vocal performance art
extended vocal techniques
extending the voice
gesture-controlled live electronics
improvisation and real-time composition
inclusive vocal performance practises
interactive sound and music
multidirectional listening
multivocality
multivocal voice
new vocality
sampling practises for vocal and musical improvisation
schizophonic practices
sensor-based and computer-based technology
singer-composer
sound art
sound technology
STEIM
strophonion
vocal materiality and liminality
vocal personas
vocal sound dance
wireless technology
Performativa och mediala praktiker
Performative and media based practices
Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera
Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera

Publikations- och innehållstyp

vet (ämneskategori)
kfu (ämneskategori)
dok (ämneskategori)

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Av författaren/redakt...: Nowitz, Alex, 19 ...; Hughes, Rolf, Pr ...; Sandell, Sten, D ...; Tone, Åse

Om ämnet

HUMANIORA: HUMANIORA; och Konst; och Musik

HUMANIORA: HUMANIORA; och Konst; och Scenkonst

HUMANIORA: HUMANIORA; och Konst; och Design

Av lärosätet: Stockholms konstnärliga högskola

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