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LIBRIS Formathandbok  (Information om MARC21)
FältnamnIndikatorerMetadata
00003823naa a2200481 4500
001oai:DiVA.org:uniarts-1743
003SwePub
008240405s2024 | |||||||||||000 ||eng|
009oai:gup.ub.gu.se/336261
024a https://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-17432 URI
024a https://doi.org/10.5617/adno.98802 DOI
024a https://gup.ub.gu.se/publication/3362612 URI
040 a (SwePub)uniartsd (SwePub)gu
041 a engb eng
042 9 SwePub
072 7a ref2 swepub-contenttype
072 7a art2 swepub-publicationtype
100a Ahlstrand, Pernillau Gothenburg University,Göteborgs universitet,Institutionen för didaktik och pedagogisk profession,Department of Pedagogical, Curricular and Professional Studies,University of Gothenburg4 aut0 (Swepub:gu)xahlsp
2451 0a Articulating dance knowledge :b – a study investigating aspects of knowing when performing a parallel pirouette
264 1a Oslo :b Universitetet i Oslo,c 2024
338 a electronic2 rdacarrier
520 a In this article, we describe the results from the dance section of a ULF project. ULF is an abbreviation for Development, Learning, Research (Swedish: Utveckling, Lärande, Forskning). Dance is a school subject at upper secondary level in Sweden with its own curriculum and grading criteria. Previous research has problematised teachers’ diffi-culties in verbalising and articulating their grounds for assessment. The research model used, a learning study, with its methodological and theoretical implications, is intro-duced. The model is collaborative and iterative and is combined with teaching practice. The results, presented as three categories of description in an outcome space with critical aspects, answer the research question: How can qualitative aspects of delimited subject-specific dance knowledge, namely, to perform a parallel pirouette, be articulated? We discuss the project’s results, gains and challenges and argue that the model used can be a way to gain knowledge about knowing expressed in a physical form, knowledge which is described as partly tacit. Considering the notion of tacit knowledge can be a way to understand the formation of dance knowledge and how it can be researched, in order to develop a subject-specific language.
650 7a SAMHÄLLSVETENSKAPx Utbildningsvetenskapx Didaktik0 (SwePub)503022 hsv//swe
650 7a SOCIAL SCIENCESx Educational Sciencesx Didactics0 (SwePub)503022 hsv//eng
653 a dance
653 a upper secondary school
653 a learning study
653 a phenomenography
653 a Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices
653 a Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices
653 a Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Performing Arts
653 a Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Performing Arts
653 a dance
653 a upper secondary school
653 a learning study
653 a phenomenography
700a Andersson, Ninnieu Stockholms konstnärliga högskola,Institutionen för danspedagogik4 aut
710a Göteborgs universitetb Institutionen för didaktik och pedagogisk profession4 org
773t Acta Didactica Nordend Oslo : Universitetet i Oslog 18:1, s. 1-25q 18:1<1-25x 2535-8219
856u https://uniarts.diva-portal.org/smash/get/diva2:1849006/FULLTEXT01.pdfx primaryx Raw objecty fulltext:print
8564 8u https://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-1743
8564 8u https://doi.org/10.5617/adno.9880
8564 8u https://gup.ub.gu.se/publication/336261

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