Lek med lust: 'Theatertanz', genusaspekter och historieskrivning

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Lundgren, Eva,1952-Stockholms universitet,Institutionen för musik- och teatervetenskap (författare)

Lek med lust : 'Theatertanz', genusaspekter och historieskrivning

BokSvenska2006

Förlag, utgivningsår, omfång ...

Stiftelsen för utgivning av teatervetenskapliga studier,2006
315 s.
electronicrdacarrier

Nummerbeteckningar

LIBRIS-ID:oai:DiVA.org:su-1071
ISBN:9186434284
https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1071URI

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Språk:svenska
Sammanfattning på:engelska

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Ämneskategori:vet swepub-contenttype
Ämneskategori:dok swepub-publicationtype

Anmärkningar

This dissertation treats the choreographic works of Julian Algo (1899-1955), a ballet master in the Royal Opera house in Stockholm 1931-1952, whose experience and education were from Theatertanz, and Swedish dance history about his works. Theoretically it is inspired by post-modern historiography (Jenkins, Munslow, White), queer theory (Sedgwick, Doty, Rosenberg) and research about masculinities in dance (Burt). The first chapter is an introductory survey of Algo’s career in Germany. It shows that in Duisburg Algo was recognized as a choreographer with ballet skills, and like other choreographers within German “Theatertanz” he tried to establish new styles through mixing old ballet and modern dance. The chapter also answers question about reception and about whom Algo cooperated with. The second chapter consists of seven analyses in which I deal with the “gusto” and “playfulness” of Algo’s works in Stockholm 1931-1938. These ballet productions are analysed with focus on the concept of queer and gender, also pointing out their good reception and that they in Stockholm were described as modern. Some of the male characters are suggested to be related to dandyism. The chapter also shows that anti-Semitism and scepticism against foreign influences were expressed in the theatre magazine Scenen [The Stage] and that it is relevant to assume that these articles influenced the development in the Opera house. The third chapter shows that Algo’s ballet productions in the book The Swedish ballet (Rootzén1945) was described from a view of classical ballet’s preferences. Now, in 1945, Algo's choreographies from the 1930 were dismissed as being of mixed-genre and lacking ballet skills. Although this chapter in the book was criticised by contemporary critics, it is obvious that it has been of great influence for authors of ballet history in the 2.nd half of the century.

Ämnesord och genrebeteckningar

HUMANIORA Konst Teatervetenskap hsv//swe
HUMANITIES Arts Performing Art Studies hsv//eng
Julian Algo
danshistoria
svensk-tyska kulturrelationer
genus
modernism
antisemitism
historiografi
Theatre
Teatervetenskap

Biuppslag (personer, institutioner, konferenser, titlar ...)

Sauter, Willmar,ProfessorStockholms universitet,Institutionen för musik- och teatervetenskap (preses)
Ulvros, Eva Helen,FDHistoriska institutionen, Lunds universitet (opponent)
Stockholms universitetInstitutionen för musik- och teatervetenskap (creator_code:org_t)

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Av författaren/redakt...: Lundgren, Eva, 1 ...; Sauter, Willmar, ...; Ulvros, Eva Hele ...

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HUMANIORA: HUMANIORA; och Konst; och Teatervetenskap

Av lärosätet: Stockholms universitet

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