Sökning: WFRF:(Hayden Hans) > Modernism as instit...
Fältnamn | Indikatorer | Metadata |
---|---|---|
000 | 01949nam a2200385 4500 | |
001 | oai:DiVA.org:su-162310 | |
003 | SwePub | |
008 | 181123s2018 | |||||||||||000 ||eng| | |
020 | a 9789176350713q print | |
024 | 7 | a https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1623102 URI |
024 | 7 | a https://doi.org/10.16993/bar2 DOI |
040 | a (SwePub)su | |
041 | a engb eng | |
042 | 9 SwePub | |
072 | 7 | a ref2 swepub-contenttype |
072 | 7 | a bok2 swepub-publicationtype |
100 | 1 | a Hans, Hayden,d 1965-u Stockholms universitet,Institutionen för kultur och estetik4 aut0 (Swepub:su)hhayd |
245 | 1 0 | a Modernism as institution :b on the establishment of an aesthetic and historiographic paradigm |
264 | c 2018-09-20 | |
264 | 1 | a Stockholm :b Stockholm University Press,c 2018 |
300 | a 325 s. | |
338 | a print2 rdacarrier | |
520 | a Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism. | |
650 | 7 | a HUMANIORAx Konstx Konstvetenskap0 (SwePub)604072 hsv//swe |
650 | 7 | a HUMANITIESx Artsx Art History0 (SwePub)604072 hsv//eng |
653 | a Aesthetics | |
653 | a Modernism (Art) | |
653 | a Historiography | |
653 | a konstvetenskap | |
653 | a Art History | |
710 | 2 | a Stockholms universitetb Institutionen för kultur och estetik4 org |
856 | 4 | u https://doi.org/10.16993/bary Fulltext |
856 | 4 | u https://library.oapen.org/bitstream/20.500.12657/28341/1/modernism-as-institution.pdf |
856 | 4 8 | u https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-162310 |
856 | 4 8 | u https://doi.org/10.16993/bar |
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