det meränmänskliga museet : Konservatorns bevarandepraktik som flyktlinje i modernitetens museum

• This thesis takes the conservator as a starting point to explore more-than-human aspects of the museum of modernity. Assuming that built-in obstacles impinge when museums today deal with environmental issues‚ it investigates new and alternative perspectives on the engagement with our immediate surroundings, in this case the museum objects. The objective of this study is to map museum processes hidden in the anthropocentric museum of modernity. The aim is to broaden the perspective on the museum to include what the museum structures of modernity have pushed aside: ongoing processes and becomings, and the myriad of energetic more-than-human agencies and temporalities constantly at work in a museum.The main empirical material consists of interviewes with conservators working in different departements and museums in Sweden. This material also includes my own experiences of working as a conservator and as an exhibition producer in various museums. There is a particular focus on the care of objects performed by conservators. The material also includes Swedish Government Official Reports (SOU) and one central text from the Ministry Publications Series (Ds). Furthermore, more-than-human agencies play an important role: enacted through the museum apparatus in shape of humidity and silverfish.Posthuman theory, environmental humanities and material feminism form the overarching theoretical framework as well as provide the analytical tools. Three main themes from these theoretical areas run throughout the entire thesis: anthropocentrism, more-than-human agency, dualistic thinking and dichotomies. All of which are applied to the empirical material.  To conclude, museums have been part of modernity’s ambitions and ideals since they were established just over 100 years ago. This thesis shows how, in the structures of the museum, modernity’s ideas have persisted. Furthermore, these structures of thought appear and interfere, inter alia, in the conservator’s experiences of and thoughts about their work and professional identity. However, when working intimately with the museum objects more-than-human relational processes and other productive connections emerge, whereby the structures, derived from moderity’s thinking, are challenged in productive ways. This forms the line of flight that the title refers to; here perceived as a possibility for change, in a direction that could promote new ways for museums to tackle complex more-than-human issues, such as climate change and environmental matters.

Ämnesord

HUMANIORA  -- Annan humaniora (hsv//swe)

HUMANITIES  -- Other Humanities (hsv//eng)

HUMANIORA  -- Annan humaniora -- Kulturstudier (hsv//swe)

HUMANITIES  -- Other Humanities -- Cultural Studies (hsv//eng)

HUMANIORA  -- Annan humaniora -- Övrig annan humaniora (hsv//swe)

HUMANITIES  -- Other Humanities -- Other Humanities not elsewhere specified (hsv//eng)

Nyckelord

Museology

museum

modernity

conservation

conservator

curator

more-than-human

posthumanism

environmental humanities

material feminisms

anthropocentrism

agency

dualism

dichotomies

agential realism

schizoanalysis

onto-ethico-epistemology

climate change

process ontology

care

thing ethics

killable creatures

invasive species

ecology

time

rhythm

alternative temporalities

intra-generational

Museologi

museum

modernitet

konservering

konservator

curator

more-than-human

posthumanism

miljöhumaniora

materiell feminisms

antropocentrism

agens

dualism

dikotomier

agentiell realism

schizoanalys

onto-etisk-epistemologi

klimatförändring

processontologisk

omsorg

tingetik

dödbara djur

skadedjur

ekologisk

tid

rytm

alternativa temporaliteter

intra-generationell

museology

museologi

Publikations- och innehållstyp

vet (ämneskategori)

dok (ämneskategori)