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Early Music Copyrig...
Early Music Copyrights - did they matter for Beethoven and Schumann?
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- Albinsson, Staffan, 1951 (författare)
- Gothenburg University,Göteborgs universitet,Ekonomisk-historiska institutionen,Department of Economic History
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(creator_code:org_t)
- 2012
- 2012
- Engelska.
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Ingår i: International Review of the Aesthetics and Sociology of Music. - 0351-5796. ; 43:2
- Relaterad länk:
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https://gup.ub.gu.se...
Abstract
Ämnesord
Stäng
- The general legal and business conditions pertaining to the music publishing business improved considerably in the 50 years between the 1790s, when Beethoven started his career, and the 1840s, when Schumann was at his professional peak. The paradigm shift in politics, economics and music at the end of the eighteenth century made it possible for Schumann to make a living predominantly from what he earned from publishers' fees. Publishers united to participate in the creation of stronger copyright laws. They could depend on legal protection against reprinters and thus it was possible for them to offer higher fees than previously.
Ämnesord
- HUMANIORA -- Konst -- Musikvetenskap (hsv//swe)
- HUMANITIES -- Arts -- Musicology (hsv//eng)
- SAMHÄLLSVETENSKAP -- Ekonomi och näringsliv -- Ekonomisk historia (hsv//swe)
- SOCIAL SCIENCES -- Economics and Business -- Economic History (hsv//eng)
Nyckelord
- economic history of music copyrights; intellectual property rights; music business; business history
Publikations- och innehållstyp
- ref (ämneskategori)
- art (ämneskategori)
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