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From Studio to Global Stage : How Sweden became a Music Powerhouse

Gullö, Jan-Olof, 1961- (författare)
Kungl. Musikhögskolan,Institutionen för musik- och medieproduktion
Kungl Musikhögskolan Institutionen för musik- och medieproduktion (creator_code:org_t)
Shanghai : Consulate General of Sweden in Shanghai, 2024
2024
Engelska.
  • Konferensbidrag (populärvet., debatt m.m.)
Abstract Ämnesord
Stäng  
  • The music industry has undergone significant changes in recent years, particularly in Sweden, where music production, exports, and consumption have evolved with the advancement of technology and digitization. The digitization of the music industry has revolutionized music production, making it more accessible and enabling remote collaboration. With today's digital technology, music producers can collaborate with performers, musicians, and co-producers from anywhere in the world, leading to a wider global audience for music exports. The availability of IT and media technologies has also increased access to audio equipment and music production software, resulting in a significant increase in the number of individuals producing music. Furthermore, the way people listen to music has transformed with the advent of streaming services and algorithm-controlled systems. Platforms like Spotify have provided listeners with access to music from all over the world, contributing to changes in music consumption patterns. The development of media technology has not only improved music production tools but has also brought new challenges for music creators in reaching their audiences amidst the abundance of new music worldwide. In Sweden, the music export industry has a rich history of successful artists and producers making a global impact. From Jenny Lind, The Nightingale, who achieved success in America in the 1850s, to modern-day artists such as Avicii, Zara Larsson, and Max Martin, Swedish music exports have made a mark on the international music scene. The breakthrough of ABBA in the mid-1970s and the international success of Björn Skifs’ “Hooked on a Feeling” in 1974 are notable examples of Swedish music reaching global audiences. The roles and responsibilities of music producers have also evolved significantly. Today's music producers take on various roles, such as songwriters, musicians, arrangers, and entrepreneurs. They play a crucial role in overseeing all aspects of the production process, from selecting songs and performers to mixing and mastering tracks, with the goal of delivering high-quality products that meet client expectations. The terms “topliner” and “producer” are used to describe distinct roles, with the topliner providing the melody and the producer creating the backing track. However, given the dynamic nature of the music industry, the scope of a producer’s responsibilities is expected to continue evolving. In conclusion, the evolution of music production in Sweden has been shaped by digitization, technological advancements, and changes in music consumption patterns. The country's rich history of successful music exports, combined with the impact of modern artists and producers, has contributed to Sweden's prominent position in the global music industry. As technology continues to advance and consumer behaviors evolve, the music industry in Sweden and worldwide will likely continue to undergo further transformations in the years to come.

Ämnesord

HUMANIORA  -- Konst -- Musik (hsv//swe)
HUMANITIES  -- Arts -- Music (hsv//eng)

Publikations- och innehållstyp

pop (ämneskategori)
kon (ämneskategori)

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Av författaren/redakt...
Gullö, Jan-Olof, ...
Om ämnet
HUMANIORA
HUMANIORA
och Konst
och Musik
Av lärosätet
Kungl. Musikhögskolan

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