Kingotone og brorsonsang – folkelig salmesang i Danmark: Fra salmebøger og lydindspilninger

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Fältnamn	Indikatorer	Metadata
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003		SwePub
008		220316s2022 \| \|\|\|\|\|\|\|\|\|\|\|000 \|\|dan\|
020		a 9789151314433q print
024	7	a https://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4699232 URI
040		a (SwePub)uu
041		a danb eng
042		9 SwePub
072	7	a vet2 swepub-contenttype
072	7	a dok2 swepub-publicationtype
100	1	a Rossil, Helen,d 1971-u Uppsala universitet,Institutionen för musikvetenskap4 aut0 (Swepub:uu)helro236
245	1 0	a Kingotone og brorsonsang – folkelig salmesang i Danmark :b Fra salmebøger og lydindspilninger
246	1	a Kingo Style and Brorson Song – Traditional Hymn Singing in Denmark :b From Hymnals and Sound Recordings
264	1	a Uppsala :b Acta Universitatis Upsaliensis,c 2022
300		a 348 s.
338		a electronic2 rdacarrier
490	0	a Studia musicologica Upsaliensia,x 0081-6744 ;v 31
520		a This dissertation investigates folk hymn singing traditions in Denmark in the nineteenth and early twentieth century, which are rooted in the congregational singing from times of the Reformation. The melodic and vocal style of these traditions are closely connected to the hymnals of Thomas Kingo (1634–1703) and Hans Adolph Brorson (1694–1764). The folk hymn singing mainly thrived in environments of revivalism. The traditions were transmitted until modern times, where five musicologists made audio recordings with the groups of people who could still sing in the old style. The dissertation draws on theory in the intersection of hymnology – with emphasis on the hymnals and the liturgy - and ethnomusicology – with emphasis on music as practice, agency, memory, and experience. In this interdisciplinary field, issues of hymnal-culture and audio recording are investigated. The dissertation explores four cases of Kingo- and Brorson singing, developing a method that combines the diachronic axis of the analysis, which explores processes of tradition and memory, with a synchronic axis that explores the social and religious interaction of participatory singing at a given moment of time. The study especially focuses on the way in which the singers vocally and musically experience and embody the social and confessional community, first of all in terms of the texture of the singing. The dissertation identifies features of unison, of heterophony and of dense textures. The study also investigates how the musical experience can stimulate not only community, but also conflicts in the relationship to others. The dissertation concludes that the study of sounding music can lead to new views on history, and that Danish history of song culture is more multifacetted than is commonly known.
650	7	a HUMANIORAx Konstx Musikvetenskap0 (SwePub)604082 hsv//swe
650	7	a HUMANITIESx Artsx Musicology0 (SwePub)604082 hsv//eng
653		a Traditional Hymn Singing
653		a Revivalism
653		a Hymnals
653		a Participatory Performance
653		a Kingo
653		a Brorson
653		a Musicology
653		a Musikvetenskap
700	1	a Lundberg, Mattias,c Professoru Uppsala universitet,Institutionen för musikvetenskap4 ths
700	1	a Lagergren, Karin,c docentu Linnéuniversitet4 opn
710	2	a Uppsala universitetb Institutionen för musikvetenskap4 org
856	4	u https://uu.diva-portal.org/smash/get/diva2:1645015/FULLTEXT01.pdfx primaryx Raw objecty fulltext
856	4	u https://uu.diva-portal.org/smash/get/diva2:1645015/PREVIEW01.jpgx Previewy preview image
856	4	u https://uu.diva-portal.org/smash/get/diva2:1645015/ERRATA01.pdfy errata
856	4 8	u https://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-469923

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