Emotional responses to music: the need to consider underlying mechanisms

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Fältnamn	Indikatorer	Metadata
000		03173naa a2200421 4500
001		oai:DiVA.org:uu-101281
003		SwePub
008		090422s2008 \| \|\|\|\|\|\|\|\|\|\|\|000 \|\|eng\|
024	7	a https://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-1012812 URI
024	7	a https://doi.org/10.1017/S0140525X080052932 DOI
040		a (SwePub)uu
041		a engb eng
042		9 SwePub
072	7	a ref2 swepub-contenttype
072	7	a art2 swepub-publicationtype
100	1	a Juslin, Patrik Nu Uppsala universitet,Institutionen för psykologi4 aut0 (Swepub:uu)patrjusl
245	1 0	a Emotional responses to music :b the need to consider underlying mechanisms
264	1	c 2008
338		a print2 rdacarrier
520		a Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the "default" mechanism for emotion induction, a cognitive appraisal. Here, we present a novel theoretical framework featuring six additional mechanisms through which music listening may induce emotions: (1) brain stem reflexes, (2) evaluative conditioning, (3) emotional contagion, (4) visual imagery, (5) episodic memory, and (6) musical expectancy. We propose that these mechanisms differ regarding such characteristics as their information focus, ontogenetic development, key brain regions, cultural impact, induction speed, degree of volitional influence, modularity, and dependence on musical structure. By synthesizing theory and findings from different domains, we are able to provide the first set of hypotheses that can help researchers to distinguish among the mechanisms. We show that failure to control for the underlying mechanism may lead to inconsistent or non-interpretable findings. Thus, we argue that the new framework may guide future research and help to resolve previous disagreements in the field. We conclude that music evokes emotions through mechanisms that are not unique to music, and that the study of musical emotions could benefit the emotion field as a whole by providing novel paradigms for emotion induction.
650	7	a SAMHÄLLSVETENSKAPx Psykologi0 (SwePub)5012 hsv//swe
650	7	a SOCIAL SCIENCESx Psychology0 (SwePub)5012 hsv//eng
653		a Affect
653		a Arousal
653		a Brain
653		a Emotion
653		a Induction
653		a Mechanism
653		a Memory
653		a Music
653		a Theory
653		a Psychology
653		a Psykologi
700	1	a Västfjäll, Daniel4 aut
710	2	a Uppsala universitetb Institutionen för psykologi4 org
773	0	t Behavioral and Brain Sciencesg 31:5, s. 559-575q 31:5<559-575x 0140-525Xx 1469-1825
856	4 8	u https://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101281
856	4 8	u https://doi.org/10.1017/S0140525X08005293

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Av författaren/redakt...: Juslin, Patrik N; Västfjäll, Danie ...

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Av lärosätet: Uppsala universitet

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